3): Fig.3 - Pianoteq 6 - Microphone recording simulation This vast choice is very accurate in order to obtain the preferred shot and the optimal environment for one's productions (Fig. The level of meticulousness of the developers is really high if we consider that there is even the possibility of choosing type, number e brand of microphones as well as the recovery dosage of each of them. By clicking on the microphone icon it is possible to simulate the microphone recording by placing virtual microphones around the piano. In the central window it is possible to select the type of audio output: sound recording, monaural, stereo and binaural as well as being able to control the level of dynamics and general volume. The first window concerns the production of sound and allows the manipulation of the dynamics in the parameters of Velocity, Note - off, Pedal and Aftertouch. In particular, the three lower sections grouped under the heading "Output" have been optimized. The interface it has remained basically the same with six sections, although they have been rearranged for better usability. In the standalone version, the virtual keyboard displays the color keys when pressed on the keyboard, same thing for the chords that are detected and displayed. Improvement of the MIDI section in its mapping In the Pianoteq Standard and Pro versions, the tuning section has been enriched with new instruments for special tuning or "microtuning" needs Better compatibility with standards VST 3, ARM ( Linux) and NKS (Native Kontrol Standard) of Native instruments. Thanks to a partnership with Steinway & Sons the timbres of the Steinway Model D e Steinway Model B. We find a wide selection of pianos, electric pianos, historical instruments and chromatic percussion. The physical model of Pianoteq 6 has been significantly improved and the library of modeled instruments has been expanded. On “Age of Audio” we had already enthusiastically reviewed Pianoteq in 2010, but several improvements and updates have been made in the audio engine since then.īriefly, they can be summarized in the following points: The fundamental advantage of this technology is that Pianoteq, compared to sampling-based virtual instruments, uses less disk space and is therefore perfect even for computers with average performance. The physical model behind the audio engine is the result of research by a team of academics from the Institute of Toulose mathematics (Modartt). What makes it interesting Pianoteq 6 compared to other virtual instruments is that the instruments have been physically modeled thus allowing a better simulation of the playability and real behavior of the acoustic instruments. What matters is obviously the tonal quality and therefore I attach some audio examples at the bottom of the article so that the reader can get an idea. Personally I do not enter the debate with a straight leg as there are now many valid products on the market and personal aspects in the use of one or another software also weigh. On the one hand there are supporters of sampled libraries with multiple points of dynamics, on the other hand those who use physical model software. When you are talking about virtual instrument there are basically two schools of thought on the piano. The Pianoteq virtual instrument is now in its sixth version, available in VST, AAX and Audio unit and stand alone versions (PC, Mac and Linux) with a vast library of keyboard instruments for every audio production need.
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